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Casino is a very good film. I certainly enjoyed the film. But I don't think that Casino is at all a "perfect" film.
An 8 out of 10 may seem high, but if you're familiar with my reviews, you'll know that it's not that high of a score from me--it's closer to average from me.
There are plenty of flaws here, and I'm going to spend some time pointing them out, particularly since the film receives so many 10's.
The hotel became the Tangiers for the film. The mob backs Rothstein but has to set up a false front while Rothstein "secretly" runs the hotel, because of his gambling charges back East.
Meanwhile, mob strong-arm Nicky Santoro Pesci heads out to Vegas to protect Rothstein, but eventually ends up running his own rackets and trying to effectively take over the town.
Casino is the story of the relationship and political problems that this cast of characters and a number of associates run into.
It's roughly a gradual road to destruction for everyone involved. The film is unusual in many ways. The most prominent oddity is that a large chunk of it is told via alternated narration from the two main characters, Rothstein and Santoro.
The aim was probably to include a lot more of Pileggi's book, in a more literal way, than would have been possible through more conventional means.
It's remarkable that the narration works as well as it does, especially because a lot of it is given a rapid-fire delivery. For at least the first 15 minutes, there is barely a pause in the narrational dialogue.
One of the reasons it works is because of the style that Scorsese uses to accompany it in the opening. He employs a lot of fast cuts while presenting very stylized, documentary-like footage.
The opening feels as much like an entertaining behind-the-scenes look at how the typical casino works as it feels like a fictional film about gangsters.
This happens so subtly that one hardly notices. Scorsese's directorial style likewise evolves from the fast-cut documentary approach to something more conventional.
This is all well and good, but on the other hand, the gradual evolution can only happen because the film is so long--it clocks in just a couple minutes shy of 3 hours.
That's a bit too long for the story being told. By at least the halfway point, it starts to feel a bit draggy. All the material is necessary to the story, but it could have been tightened up a lot more.
While I like the songs--I've owned the CD since it came out and I listen to it often enough--and the songs can help set the mood for some scenes, they become a bit too incessant and overbearing for the story after awhile.
It begins to approach the dreaded "mix tape" mentality, where the songs are just there because the director wanted to share some bitchin' tunes that he likes a lot.
A bit of ebb and flow with the music, and music better correlated to the drama, would have worked even better.
Presumably, Scorsese was shooting for something like a sensory assault, since that's what you get in Vegas. The visuals are filled with neon lights, flashy clothes I love Rothstein's suits , flashy people and such.
The soundtrack is probably meant to match. But in that case, if I were directing, I think I would have went for a combination of commissioned music that incorporated a lot of casino sounds, or that mimicked a lot of casino sounds--the cacophonous electronic symphony of various machines constantly going through their modes--with schmaltzy show tunes, ala Liza, Jerry Vale, Tom Jones, Wayne Newton, etc.
That Scorsese was trying to give a Vegas-styled sensory assault is also supported by the audio-visual contrast between the Vegas scenes and the scenes in other locations, such as Kansas City.
So I can understand the motivation, but I'm not sure the final result exactly worked. Of course the performances are exceptional, even if everyone is playing to type, except for maybe Woods.
The plot and characters are written and performed so that the viewer can see the disasters coming way before the characters can--and that's how it should be.
For example, as a viewer, you know as soon as it starts that it's a bad idea for Rothstein to kowtow to McKenna to win her hand in marriage, but Rothstein is blind in love and he ends up paying for it.
Everything unfolds almost a bit predictably in this respect, and another slight flaw is that we're shown the penultimate moment of the film right at the very beginning.
It tends to make it feel even more stretched out, as you keep anticipating that scene. But the slight flaws shouldn't stop anyone from seeing this film, and of course, quite a few viewers feel that there are no flaws at all.
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User Polls Weapons Unleashed! Edit Cast Cast overview, first billed only: Daniel Craig James Bond Eva Green Vesper Lynd Mads Mikkelsen Le Chiffre Judi Dench M Jeffrey Wright Felix Leiter Giancarlo Giannini Rene Mathis Caterina Murino Solange Simon Abkarian White Ivana Milicevic Valenka Tobias Menzies Villiers Claudio Santamaria Carlos Sebastien Foucan Edit Did You Know?
Trivia One week after filming was completed, the Stage at Pinewood Studios burned down on July 30, This was the second time this had happened, the first being before filming A View to a Kill The filmmakers had just finished using the stage for filming interiors set in Venice for the movie.
Goofs The camera is briefly reflected in a shop window when Bond leaves the bank in Venice. Quotes James Bond : [ talking privately at the bar to Mathis and Vesper referring to Le Chiffre ] It was worth it to discover his "tell".
Mathis : What'd you mean "tell"? James Bond : The twitch he has to hide when he bluffs. Vesper Lynd : Bluffs? He had the best hand. Crazy Credits The opening credits are set in a stylish montage of fights with gambling symbols: playing cards, playing card symbols diamonds, hearts, spades and clubs , kings and queens, and roulette wheels.
Alternate Versions The Chinese version is cut for violence Obanno getting strangled, Bond cleaning up after the stairwell fight, and the torture scene and sexual content the foreplay on the boat.
Additionally, Judi Dench had to re-dub one line to pass the censors. Was this review helpful to you? They have a daughter and marry, but their marriage is quickly thrown into turmoil due to Ginger's relationship with her former boyfriend, con artist -turned- pimp Lester Diamond.
Ginger turns to alcohol and develops an increasingly problematic drug addiction. In , Sam fires slot manager Don Ward for incompetence. When Ward's brother-in-law, Clark County Commission chairman Pat Webb, fails to convince Sam to rehire Don, Webb arranges for Sam's gaming license to be denied, jeopardizing his position.
Sam blames Nicky's recklessness for ongoing police and Nevada Gaming Board pressure, and the two argue furiously in the Mojave desert.
Sam starts hosting a local television talk show, upsetting both Nicky and the Chicago bosses for making himself such a public figure and bringing unwanted attention to their operations.
Piscano writes everything he knows about the operations in a notebook. Sam seeks to divorce Ginger, who kidnaps their daughter, planning to flee to Europe with her and Lester.
Sam convinces Ginger to return with Amy, then overhears her planning on the phone to kill him. Sam kicks her out of their home but later relents.
Ginger approaches Nicky to get her valuables from Sam's safe deposit box, and the two start an affair. Sam confronts and disowns Ginger, and ends his friendship with Nicky.
Nicky throws Ginger out when she demands he kill Sam. Drunk and furious, Ginger crashes her car into Sam's on the driveway and retrieves the key to their deposit box.
She takes the contents of the box but is arrested by the FBI as a witness. In , the FBI closes the casino and Green eventually cooperates with them.
Piscano dies of a heart attack when federal agents discover his notebook. The bosses are arrested and put on trial, and start to arrange the murders of anyone who might testify against them and prolong their subsequent sentences.
Ginger dies of a drug overdose, and Sam barely escapes death by a car bomb , suspecting Nicky to be the culprit.
Before Sam can take revenge, the bosses, angered by Nicky's legal issues and apparent unauthorized attempt on Sam's life, order Frankie and his crew to ambush Nicky and Dominick.
Under the impression that they are attending a meetup in an Indiana cornfield, they are beaten with baseball bats, covered in quicklime , and buried alive in a shallow grave.
With the mob now out of licensing fronts, big corporations buy and demolish the casinos to make way for new, larger hotel casinos, which Sam laments.
He retires to San Diego and lives as a sports handicapper, ending up in his own words, "right back where I started". The research for Casino began when news reporter and screenwriter Nicholas Pileggi read a report from the Las Vegas Sun about a domestic argument between Frank "Lefty" Rosenthal , a casino figure, and his wife Geri McGee , a former topless dancer.
Argent was owned by Allen Glick, but the casino was believed to be controlled by various organized crime families from the Midwest.
This skimming operation, when uncovered by the FBI, was the largest ever exposed. Pileggi contacted Scorsese about taking the lead of the project, which became known as Casino.
Scorsese and Pileggi collaborated on the script for five months, towards the end of Some characters were combined, and parts of the story were set in Kansas City instead of Chicago.
A problem emerged when they were forced to refer to Chicago as "back home" and use the words "adapted from a true story" instead of "based on a true story.
They also decided to simplify the script, so that the character of Sam "Ace" Rothstein worked only at the Tangiers Casino, in order to show a glimpse of the trials involved in operating a Mafia-run casino hotel without overwhelming the audience.
The scene was too detailed, so they changed the sequence to show the explosion of Sam's car and him flying into the air before hovering over the flames in slow motion—like a soul about to go straight down to hell.
Filming took place at night in the Riviera casino in Las Vegas, with the nearby defunct Landmark Hotel as the entrance, to replicate the fictional Tangiers.
According to the producer Barbara De Fina , there was no point in building a set if the cost were the same to use a real-life one.
Several edits were made in order to reduce the rating to R.